Reviewer:
Andy Seven from Los Angeles, CA United States
I don't believe Mauro Bolognini has ever made a bad film, all of his movies are incredible. It also doesn't hurt that he has an excellent cast with a hardboiled Pasolini script to work with. Cinematography is first-rate, and if you liked Antonioni's La Notte and Bertolucci's Grim Reaper you like this, too.
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1 of 1 people found the following review helpful:
5 stars
May 20, 2020
Reviewer:
nicholas watkins from ramsgate, Eng United Kingdom
excellent social study with great selection of stars
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2 of 2 people found the following review helpful:
Untamed Youth in Excelsis
April 7, 2018
Reviewer:
Henry Steele from Statesville, NC United States
This is my new favorite old movie. I saw it when it came out over here, but bad reviews made me figure there was something wrong with me, yet again. There may be, but not with the movie. The cast is great-- just look at the names-- and totally into their roles. This came out the same year as "Dolce Vita," and the similarities are striking. Bolognini really had something, and he knew how to adapt it to the material. Good source print, good fidelity. Highly recommended.
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1 of 1 people found the following review helpful:
Pasolini's influence
February 15, 2015
Reviewer:
Anonymous Person from Armadale, Victoria Australia
Story and script are by Pier Paolo Pasolini, and his influence is everywhere apparent, even from the credit shot: a close-up of urban rubbish. It's about minor criminality or delinquency and the vitality of its impoverished characters. Mauro Bolognini's work is always interesting (thanks, MovieDetective, for making so many of them available), even while this one meanders through its plot and from character to character. The DVD is of excellent quality.
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1 of 1 people found the following review helpful:
Sad in its Truths
December 11, 2014
Reviewer:
Anonymous Person from New York, NY United States
A long night with some of society's dregs, written by Pasolini, and a precursor to his "Accatone." Though all of the actors and actresses in the leading roles have unrealistically beautiful teeth, the performances, particularly by Rosanna Schiaffino and Elsa Martinelli, are perfect. The photography by Armando Nannuzzi, the jazz score by Piero Piccioni, and the direction by Mauro Bolognini, all capture the essence of desperation.